Grace

Because my grandmother made me

the breakfast her mother made her,

when I crack the eggs, pat the butter

on the toast, and remember the bacon

to cast iron, to fork, to plate, to tongue,

my great grandmother moves my hands

to whisk, to spatula, to biscuit ring,

and I move her hands too, making

her mess, so the syllable of batter

I’ll find tomorrow beneath the fridge

and the strew of salt and oil are all

memorials, like the pan-fried chicken

that whistles in the grease in the voice

of my best friend’s grandmother

like a midnight mockingbird,

and the smoke from the grill

is the smell of my father coming home

from the furnace and the tang

of vinegar and char is the smell

of Birmingham, the smell

of coming home, of history, redolent

as the salt of black-and-white film

when I unwrap the sandwich

from the wax-paper the wax-paper

crackling like the cold grass

along the Selma to Montgomery road,

like the foil that held

Medgar’s last meal, a square of tin

that is just the ghost of that barbecue

I can imagine to my tongue

when I stand at the pit with my brother

and think of all the hands and mouths

and breaths of air that sharpened

this flavor and handed it down to us,

I feel all those hands inside

my hands when it’s time to spread

the table linen or lift a coffin rail

and when the smoke billows from the pit

I think of my uncle, I think of my uncle

rising, not falling, when I raise

the buttermilk and the cornmeal to the light

before giving them to the skillet

and sometimes I say the recipe

to the air and sometimes I say his name

or her name or her name

and sometimes I just set the table

because meals are memorials

that teach us how to move,

history moves in us as we raise

our voices and then our glasses

to pour a little out for those

who poured out everything for us,

we pour ourselves for them,

so they can eat again.

The truth is, I was bored. 
My mother blissing ahead of me, rosebuds rising in her footsteps, 
And I skulking behind, thinking,
Oh look. She walks in beauty. 
Again.

Her power could boil rivers, if she chose.
She doesn’t choose. She scatters
Heliotrope behind her.

And me, I’ve no powers. I think she’d like
A decorative daughter. A link to the humans
She feeds with her scattered wheat.
A daughter wed to a swineherd’s just the thing
To show that Demeter’s a down-to-earth
Kind of goddess.

Do you know what swineherds talk about?
Swine.
Diseases of, ways to cook;
“That ‘un’s got no milk for ‘er shoats;
Him, there, he’s got boggy trotters.”

And when he leaned in, smiling,
While we sat in a bower sagged with Mother’s honeysuckle,
When he said, “Now,
My herd’s growing and I’m thinking I could feed a wife—”
That’s when I snapped, I howled, I ran.

And when a hole opened up, a beautiful black, in all the pastels of my mother’s sowing.
Let me fix the lie: Nobody grabbed, nobody pulled.
I jumped.

I thought it was a tiny earthquake, 
Thought I was killing myself, 
Starting a long journey to Hades.
It was a more direct trip
Then I’d imagined—
I landed in his lap.

He just looked at me, said “Well,”
And kept driving his chariot down,
Flicked his leather reins near my face.
He did not give me flowers.
He never spoke of pigs.

Didn’t speak much at all. Just took me down in darkness
And did dark things.
I liked them.

I stumbled through his grey gardens, after,
Sore and smiling.
And the gardener said, “Little girl,
Little sunlit flower, 
You belong in the world above.
Trust that they’ll come for nyou,
But while you wait
Don’t eat the food of the dead, for it will trap you here.”
And I said give me the fucking fruit.

But when I ate I could hear her howling,
See her spreading winter on the world.
My poor mother, who missed me after all;
My poor swineherd, starving.
Huddled up for warmth with the few he hadn’t eaten.

I spat out half the seeds.

So now I suffer through the summers,
Smile at the swineherd who tells me
Which shoat is off its feed.
Smile at my mother and walk behind her.
My powers have come to me now, and in her candy-colored wake I scatter
Sundew and flytrap, nettles and belladonna.

I smile and wait for November,
For when I come back to you.
Your clever cold hands and your hard black boots.
I don’t ask what the leather is made from. 
I don’t think I want to know. 

(Source: spuffyduds.livejournal.com, via kemendraugh)

"

Charon:

You who pull the oars, who meet the dead,
who leave them at the other bank, and glide
across the reedy marsh, please take
my boy’s hand as he climbs into the dark hull.
Look. The sandals trip him, and you see,
he is afraid to step there barefoot.

"

— Zonas, 1st century B.C.E., translated by Brooks Haxton

wildthicket:
“ i am always surprised to find that sylvia has captured feelings so well. highlighting and underlining sentences in her books is always difficult because i want to highlight every single phrase- i might as well dip the whole book in...

wildthicket:

i am always surprised to find that sylvia has captured feelings so well. highlighting and underlining sentences in her books is always difficult because i want to highlight every single phrase- i might as well dip the whole book in yellow highlighter ink.

(via courageforourfriends)

Tags: poetry

vega-ofthe-lyre:
“  A Hundred Ways To Say Your Name by Tania De Rozario
”
Sometimes I remember that I love poetry.

vega-ofthe-lyre:

A Hundred Ways To Say Your Name by Tania De Rozario

Sometimes I remember that I love poetry.

The Life and Times of Pepper Potts: A Haiku

jarfishy:

dixie-chicken:

Tony. Tony, no

Tony Stark, I swear to God

TONY, FUCKING STOP

Verse II

Pepper. Hey, Pepper.

Pepper, you’re not watching me.

Pepper, look at meeee.

(via firstfairytale)

Tags: poetry

d122712:
“  since feeling is first; e.e. cummings
”

d122712:

since feeling is first; e.e. cummings

(via catinthedaytime-deactivated2014)

alecshao:
“ ee cummings - let it go - the
”

alecshao:

ee cummings - let it go - the

(via likeafieldmouse-deactivated2015)

Tags: poetry

n-botwin:

It starts with bloodshed, always bloodshed, always the same
                                       running from something larger than yourself story,
shoving money into the jaws of a suitcase, cutting your hair
         with a steak knife at a rest stop,
and you’re off, you’re on the run, a fugitive driving away from
                                                 something shameful and half-remembered.

(via wutheringss-deactivated20130425)

Tags: poetry

tazzmarazz:
“ e.e. cummings
”
This was the first poem I loved.

tazzmarazz:

e.e. cummings

This was the first poem I loved.

(via bahnree-deactivated20210928)